Friday, November 15, 2019
Free Essays - The Merchant of Venice is Far from Perfect :: Free Merchant of Venice Essays
Auden's Dystopia The Merchant of Venice is Far from Perfect In a perfect world, hatred would be without justice; love would be totally innocent. However, utopias like that are nonexistent; thus, one can easily look around, like Auden, and exclaim, "No hatred is totally without justification, no love is totally innocent." In The Merchant of Venice, there is an imperfect world, as well as a perfect world. The flawed world is the materialistic and bustling city of Venice. The impeccable world is the fairy-tale city of Belmont. Despite Belmont's perfection, a bit of justified hatred from Venice would ruin its innocence. (Paradise lost.) Alas, as Auden suggests, there are no utopias. In Venice, time is of the essence. If one were to momentarily forget the real world, one would be trampled down by its massive stampede of events, bonds, et cetera constantly being made, ubiquitously in its domain. Shylock and Antonio are just one pair of culprits adding to the ultimate imperfection of Venice. However, the bond made between Shylock and Antonio sets them completely apart from the normal villainy dealings, "If you repay me not on such a day... let the forfeit / Be nominated for an equal pound / Of your fair flesh, to be cut off and taken..." [Act 1, Scene 3]. A shrewd merchant, Antonio does not immediately agree to this. He first reasons it out: "Within these two months--that's a month before / This bond expires--I do expect return / Of thrice three times the value of this bond." [Act 1, Scene 3] If all goes well, our merchant of Venice would have no difficulties in paying Shylock back. However, not all goes well; a while after this bond, rumors on the Rialto suggest that Antonio has lost his fortunes at sea. With not enough wealth to compensate for his due payment, Antonio is now in danger of losing a pound of his flesh, which in those days meant almost certain death. In Belmont's high peak, secluded from the merchants of Venice, time is a silhouette of the real world. Portia sits there weary and bored, waiting for the brave suitor who would agree to risk all for her. She is the perfect woman, wrought of both intelligence and beauty; she is like a doll trapped in Wonderland. In addition to those materialistic qualities, she is also a faithful daughter. She dutifully holds true to her father's dying wish and allows her suitors to be chosen by a lottery system.
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